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  • Why I Left Apple’s Ecosystem

    Why I Left Apple’s Ecosystem

    I had a Macbook Air, iPad, iPhone, and was about to buy an Apple watch to complete the set. But last year, I did an about-turn. I ditched my Macbook for a Thinkpad, got a Huawei phone (a hand-me-down), and a smartwatch.

    Was it because I wasn’t happy with the quality of Apple products? No, in fact, I admit the build and design of Apple products are superior. I always felt as if I was working on a piece of art each time I used an iPad or Macbook. And I still happily prefer my iPad over my Samsung tablet.

    So, why did I leave the Apple ecosystem? Let me roll out the reasons for you.

    Reason #1 Apple’s walled garden

    Apple products are designed in such a way that you have to stay in their ecosystem. In a way, it’s cool that their products work seamlessly together. However, you’d end up dealing with lots of limitations. For one, I find it difficult to find Apple-compatible gaming software and I grew frustrated having to only use Apple-only products. For example, I couldn’t buy third-party iPhone chargers because they stopped working after a few charges. And what’s with removing ports so that you have to buy their latest thingamajic to get the same functionality? That annoys me the most.

    Reason #2 I’m denied right to repair and upgrade however I want to

    In Malaysia, where I live, we have computer shops that cobble together a PC for you according to the specs you want. If I wanted to upgrade the desktop to a better version, all I had to do was go to the shop and ask for a part or two to be upgraded.

    Apple doesn’t give you that kind of freedom. You need to repair your items in shops approved by them. You need to buy stuff from shops approved by them. Fortunately, in good old Malaysia, we have cowboy outfits that openly repair iPhones, and most of us go to them for that.

    In a way, I get that it helps Apple control quality, and it’s part of the reason why Apple products “just works” is because it is a closed ecosystem.

    But I disliked having to upgrade just because they deemed my device “too old”. I hate having to buy a new thingamajig when my old dongle worked just fine – just because Apple removed a port. I hate that I can’t repair my MacBook or upgrade them independently.

    Reason #3 When you are locked into their ecosystem you gotta do things their way

    Closely tied to Reason #1. When you are reliant on one company to provide you the products you need to use to earn a living, you have to just accept whatever changes they roll out.

    I discovered it the hard way when I wanted to use an app, but my current OS was not compatible. But when I tried to install the new OS, they said I didn’t have enough cloud space, so please buy some so that you can install the new OS. It was ridiculous. I knew that the tiny amount of hard disc space was going to bite me in the ass one day, but I’ve only used the Macbook for three years and I barely installed anything!

    Fortunately, after much cleaning up, I managed to install the new OS, but just barely. But I found myself looking hungrily at the generous amount of HD space that the Thinkpad was offering … at the same price.

    I never forgot the feeling of helplessness when a pop up appears that I need to do this or that to do a basic function. And that task usually involves money.

    So that’s how they profit from us, byte by byte, install by install.

    I grew really tired of being locked behind any ecosystem of products, services and forced upgrades. Apple lost me because of that – I hate being told to upgrade just because Apple has deemed my version of iPad obsolete. Or having to buy cloud space because they gave me a barely functional amount on my laptop. PCs not only give me a better deal for the same amount of money spent, I enjoy the freedom it offers, and in the long run, it is just more cost-effective.

    Reason #5 It is f**king expensive

    What most folks in the West do not realize is that Apple products are EXORBITANT in Asia. People get in debt to “afford” them, just to flash an iPhone to look cool.

    But then there’s the whole Foxconn Apple scandal where workers were made to work in horrible ways just to meet their exacting demands.

    I read about the whole thing in the book, Haunted Empire: Apple After Steve Jobs. In fact, after reading the book, I had such distaste over their corporate practices that it made me feel like a saint for leaving their ecosystem.

    Now, I’m not the sort to announce on social media that I’ve stopped using a product because the CEO is a Nazi or something. (Though it will probably hasten my search for an alternative.) Mainly because having a purity stance is problematic. Every company in the world is tainted in some way. The best we can do is to choose a company that can fulfill my needs ethically. It’s often a losing battle as there are far too many skeletons in corporate closets to keep up with.

    But what really gets my goat about the whole Foxconn thing is how Apple, despite charging exorbitant prices, are treating the workers that are actually making the products that make them their profits like sh*t. Wait, you say. Apple doesn’t control Foxconn, other people are doing this to the workers. But as I read the book, Haunted Empire, it is Apple’s demanding ways that caused Foxconn to turn the screws on their workers, and Apple is conveniently closing one eye.

    Reason #4 The zealotry of Apple fans

    Behold, the Apple fanboi

    I never understood the zealotry around Apple. It’s like a religion or something. And I shy away from all cult-like thinking. I am wary of brands that foster such slavish fan worship. It disturbs me and I don’t want to be a part of that.

    Reason #5 I miss my freedom and options

    It’s the same reason why I left Twitter and Facebook for Mastodon. Why I embraced IndieWeb and now blog the POSSE/PESOS way. I realised that Apple products, shiny and high quality as they are, were trapping me in one way of doing things. I could see a time when I became so dependent on Apple products that I couldn’t break away, so I broke away the first moment I could. I do miss the sleekness and “it just works” feel of my Apple, but I wasn’t willing to pay insane prices just to do my work when PC-related products could do it for me just fine.

    So yeah, in a nutshell, I left the Apple ecosystem because I like my freedom too much, and I was just getting way too nervous being so dependent on one company!

  • Indiana Jones and the Temple of Political Correctness

    To my surprise, I loved Indiana Jones: The Dial of Destiny. It had a lot of good ol’, classic Indiana Jones moments: The crazy chase, the ancient tombs and traps, bugs and snakes. It’s a movie where you need to switch off your brain off and enjoy it. Watching it made me feel like a kid again. It was a perfect send off for one of cinema’s most iconic characters.

    Yet, if you had looked online, especially on Youtube movie channels, you would have thought it was terrible.

    These days, I do my best to avoid any information about upcoming movies. I’ve long realised that reviews or even the non-spoilery opinion of people tend to colour my perception of movies.

    We don’t seem to enjoy movies for the sake of it this days. We always have to tie it with some serious commentary on culture, politics and gender.

    Maybe it has to do with the need to create content in a way that pleases the algorithm: saying something that will provoke a big emotional reaction. And creators love to provoke anger and indignation because that’s where you get all those juicy comments that algorithms like.

    That said, let’s talk about the most controversial Indy movie: The Temple of Doom.

    Naturally, after returning from watching The Dial of Destiny, I rewatched Raiders of the Lost Ark and then, The Temple of Doom.

    And yeah, it’s as wildly politically incorrect as I remember it. 😅 All the unflattering depictions of india that you can imagine. That meal at the palace, for one, was especially cringe worthy. As far as I know, Indian cuisine did not include snakes, monkey brains or other manner of creepy crawlies. As many Indians are vegetarians, I can imagine the indignation that must’ve provoked!

    Temple of Doom would have been eviscerated in today’s social media and would probably never have been made.

    Yet, I loved The Temple of Doom because of its sheer over-the-top hamminess. It was just a fun movie, and while it was not my favourite, it sure gave me a good time when I watched it — even in the politically correct times of 2023.

    Creativite works will always be confronting and challenging. Not to say that The Temple of Doom was right in what it did (I think they could at least not insult Indian cuisine!), bu it was an over-the-top, straight out of a pulp novel story and was never meant to be taken seriously.

    I think we have forgotten to just park our brains aside and enjoy movies. Everything must be evaluated for political and cultural correctness these days. Every movie is now yelled at for being “too woke” or “anti woke”. Why have we gotten so stodgy?

  • The sorry state of social media

    A good post by SelfAwarePatterns. As with Facebook, and Instagram, you don’t get to control what you see, and it’s tough to have reliable feed with updates from people you actually follow.

    The only feed is an algorithmic one, which frankly is pretty awful. Even after following more than a dozen people, the feed insists on shoving posts (threads?) from sports, music, and reality show stars at me, along with the occasional politician. Gross. Finding posts from the people I’m actually following is hit or mess, mostly miss. The easiest way to find the posts I care about seems to be digging into the settings and accessing the profiles I’m following directly, which is painful.

  • The puritanical pursuit of platform purity

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  • Being an imperfect gardener of my digital garden

    I’ve been writing. A lot.

    This is a wonder as I used to produce two to three articles a month.

    And there’s one good reason why: I’ve decided not to care about how perfect my article must be before I publish it.

    I think part of the reason why I’ve felt so burned out by blogging before, was that I had to do so many things before hitting the publish button.

    Research keywords, do tonnes of research and when it’s all done, write a magnum opus and optimize content for SEO. Each article can take up to a month to produce!

    I’ve adopted two new philosophies that has supercharged my blogging volume:

    • Publish (on your) Own Site, Syndicate Elsewhere (also called POSSE) or Publish Elsewhere Syndicate (on your) Own Site (also called PESOS)
    • Digital Gardening

    Blogging the POSSE/PESOS way

    Twitter’s meltdown has awaken me to the fact that I’ve been producing content for social media platforms free for years, when it could be on my blog.

    The POSSE/PESOS philosophy is all about having a homebase on the Internet. That homebase should be a website with a domain name you own. All your content should pulse from the website to channels you do not own like Facebook, Twitter and Goodreads.

    I’ve worked in marketing communications for years and we’ve always told our clients and stakeholders to practice this, but for some reason I have not implemented this in my online life!

    So, I began populating my blog with content that I would’ve shared on Twitter or Facebook. Short posts recommending an article I read. Jornal-like posts about my life. Half-baked articles.

    It’s all messy and imperfect and I love it.

    Digital Gardening

    Another philosophy is to treat my website/blog as a digital garden of random notes, unfinished articles and jottings. The idea of digital gardening is that sometimes you do not know where a note or a jotting would go, but you’re here to record its journey towards an article. So digital gardeners will create an article, only to return to it later to add more notes or ideas. They eschew chronological formats. In the place of a date, their articles will contain something like “Last updated on …”

    Some enthusiasts who literally publish their Obsidian archives on the Internet. I’m not like this, but I have embraced the philosophy of “perfecting it as I go”.

  • Google: All your content are belong to us

    Apparently, Google has changed their privacy policy and now says that they’ll scrape everything you post online to train their AI tools. I post my Fiction online on Substack and my WordPress blog and now wonder if this is a bad idea.

    What makes me most mad about this Google “will scrape what you post online to train AI tools” thing is the gall of them to claim they have the right to do so. They index the Internet, they DON’T own it. I pay for hosting fees, I write the content. It’s like a postman taking things from your house just because he delivers things to your address.

    It’s fine if they open a programme calling for data sets submissions with compensation.

    It would’ve been fine if they were a company that created Internet tools with ethics in mind.

    No, it’s “all your content are belong to us”.

    I struck up a conversation on Mastodon about this, and I was hoping someone would come along to tell me that I’m panicking for no reason. But no, most of the responses I got was a resigned “acceptance” that there was no stopping them.

    I think the worse thing about this is how some folks who work in tech are rolling their eyes at our reactions.

    I suppose I shouldn’t be surprised by the lack of empathy some #tech bros have about the whole “Google is scraping content to train their AI” thing. Lots of people defending Google in tech forums, saying this has been done forever so why are we being such a baby about it?

    Maybe because all they can think about is $$ they can get from us content producers and we’re standing in the way of that. All that yummy free content that they could mind and we have the gall to complain about being plundered so they could earn money from our labour? Pfft! We’re so entitlted, us content creators!

    I feel like the Internet is devolving faster than my emotions can keep up.

    Wondering if there’s a way to protect my content more if I use WordPress or Substack now that Google is openly admitting what we have suspected they have been doing all along.

    I heard that paywalls/subscriber only walls can deter them?

    What do you think writers can do to protect their content? Or should we just roll over and accept that this is the way things will be from now on?

    Read: Google Says It’ll Scrape Everything You Post Online for AI

  • How I am blogging the IndieWeb way

    In my last post, I spoke about the differences between the POSSE and PESOS blogging styles and why it’s important. Today, I’m going to show you how I actually implement this with my website.

    #1 Turn selected social media into posts

    Unlike the POSSE gang, I prefer to PESOS my content. So I pick a social media post to expand into a blog post.

    I’m pretty selective when turning social media posts into blog content and am pretty content to let some die and disappear. Seriously, not all my thoughts are worth recording in the blog, I promise.

    And when I do record them, I don’t just copy and paste the social media posts wholesale on the blog. I prefer to rewrite the posts to suit the platform.

    Every platform has a different audience, so every content should be tailored to them. Does this sound like a lot of work? It can be, but I generally like the rewriting experience, so it’s not a big deal for me.

    Should you do it? Ideally, you should craft your content to suit different channels, but I have seen some IndieWeb bloggers who just auto-mirror everything into every channel. It really depends on what you prefer. I mean, it’s your online home!

    #2 Mirror my Substack content onto this blog

    If you are not aware of it already, I have a Substack newsletter, Tai Tales, where I post my fiction and write about publishing online.

    I used to think that I needed to create special content just for Substack, but not anymore. For the longest time, I let my guard down because the folks at Substack seem really nice and writer-friendly. But after what happened to Twitter and Reddit, and remembering how Medium devolved into a platform where it’s now difficult to be seen, I need to face the hard truth that I’m not the boss of Substack (like, no duh) and it could easily disappear one day.

    Because it isn’t a platform I control, the CEO may one day turn mercenary and think, “I need profits now and I don’t care how I screw over users to get it” or sell the company to less writer-friendly billionaires in the future.

    The days of thinking, “Surely they won’t do this to their users?” is over. The lesson from the Internet/Social Media events of 2022 and 2023 is, anything can happen. So, I need to be ready to move at any time, eventhough I personally think that Substack is absolutely fabulous.

    That’s why I’m currently in the process of copying over the content of my newsletter, Tai Tales, to my WordPress blog. Thanks to WordPress.com’s new newsletter feature, I can make this content only accessible to my people who subscribe or follow my blog. I can even make some of them paid!

    What a non-subscriber sees when they come across one of my newsletter posts. I’ve also created a category, Tai Tales, to house the posts.

    In essence, I’m creating a separate channel and hopefully, stream of income, for my newsletter.

    I’m not getting off Substack as the platform has a powerful recommendation engine. Since participating in its Notes feature, my subscriber count has shot up. Also, it’s a fun little place to hang out with other writers.

    The problem is, it’s not terribly great at reaching readers outside its writer-heavy ecosystem of readers.

    WordPress.com actually has a community and content recommendation ecosystem with their Jetpack Reader. It may not have as robust, user-friendly or active as Substack’s, but it still offers me the opportunity to reach readers who are outside the Substack ecosystem.

    My theory is that not all WordPress.com users are eager to plug in to another ecosystem like Substack’s just to read my newsletter, so I’m offering them the option to subscribe to my blog without leaving the Jetpack Reader ecosystem.

    #3 Automate notifications on various platforms

    Each time I post content on this WordPress blog, a short, summary post will be sent out to the followers of my accounts on the following platforms:

    • Tumblr
    • Facebook page
    • Mastodon

    Fortunately, WordPress.com (which this blog is hosted on), makes it easy. I use its sharing features to push out notifications to the platform.

    I also include links to new blog posts in the Weekend Tales edition of the Tai Tales newsletter. This is not automated.

    If you dive into the IndieWeb space, which is dominated by tech-savvy folks or developers, you’ll find that lots of people automate their processes using fancy codes and tools. I’m not there yet, and honestly, I’m not sure if that’s the right approach for me. I just prefer my blog posts to be more human, you know?

    #4 Include social media comments into blog posts

    Brid.gy is a handy tool that lets me include Mastodon comments on my WordPress posts. It’s like bringing the discussions right into the heart of my blog. Pretty neat, huh? It helps foster a sense of community and interaction, which is what the Indieweb movement is all about. I wish I can make it look nicer though. Here’s how the comments look like on a blog post:

    I may explore more automation options in the future, but honestly, I’m quite content with my current setup. By blogging the Indieweb way, I will have more control of my online content, and keep it from going poof due to a business decision at some faceless corporation somewhere.

    It’s worth owning your digital home

    If you’re a writer and not especially techy, this may all seem overwhelming to you, but trust me, it’s truly worth it not to be too centralised or dependent on one platform that you do not control.

    Yes, it is sucky that you have to battle SEO content farms to get your website noticed on the Internet. But this is where platforms come in. You use their features and potential to make your content viral to spread your content. But your content needs a home that you control. Full stop.

    So, if you have most of your content on Substack, for example, think seriously about mirroring it on your blog. If you have been building your audience on Twitter, Facebook or Instagram, start funneling the content you’ve created there to your website.

    Because a platform collapsing overnight is no longer a distant “what if”, but a “when”.

  • POSSE and PESOS: Better ways to publish content

    The Twitter meltdown made me realize something important: I’m a seriously prolific content creator. And I’ve been giving away all that content free to a platform that not only profits from it but treats me like garbage unfairly when it comes to sharing said profits. Meaning, they don’t share a dime. When I downloaded my Twitter archive, it hit me like a ton of bricks that most of that content was not sitting in my website, so they could just disappear if a billionaire decides to cut me off from the platform.

    According to tech journalists, platforms are dying. I personally think they’re more resilient than that and people underestimate how reluctant people are when it comes to getting their hands dirty, building their own home on the Internet. They’d much rather use a ready-made platform where the tools are all ready to do this.

    Still, with Twitter still melting, Facebook losing relevance, Reddit turning off many of its power users, we really need to stop putting ourselves in the position where we will be at the mercy of corporations and their business decisions.

    Most of the time, these decisions are made solely in their own interest, not yours. Sure, using platforms can help us reach wider audiences, especially in a web overwhelmed by SEO-optimized sites and it’s tough for the little guy to stand out. But let’s not be fooled into thinking they have our best interests at heart, no matter how nice they seem right now.

    So, how do we take control?

    Well, I’ve been diving into the IndieWeb movement for the last few months, and it’s been a game-changer on how I’ve been blogging. Here’s how I’m doing it.

    PESOS and POSSE: Are we in a Western?

    We might as well be when it comes to with the IndieWeb movement! People barely know about the movement, so it’s uncharted territory for most. But for me, it has been refreshing and liberating to learn more about.

    PESOS and POSSE are methods of publishing your content on the web that will ensure you have control over it:

    POSSE (Publish on Own Site, Syndicate Elsewhere)

    PESOS (Publish Elsewhere, Syndicate to Own Site)

    First, get a domain!

    Your blog, whether it is on WordPress or Squarespace etc, should be owned by you. Meaning that you need to buy a domain name. With a domain name, each piece of content will have an address with a URL that you can control.

    At the time of this writing, my wordpress.com website is still using a staging address — firediarist.wordpress.com. I have a domain name but haven’t gotten around transferring it yet. (Don’t be me.)

    Indieweb folks tend to go a step further by favouring WordPress or Ghost as they are both widely-available, open-sourced content management system unlike Squarespace or Wix. As the latter platforms use proprietary systems, your content would be harder to transfer out of because there’s only one platform that uses their CMS. Their own.

    With WordPress (even WordPress.com), you can easily transfer to another service that offers WordPress hosting. And there are a bajilion of them out there. (I can’t comment about Ghost as I’m not as familiar with the platform, but it comes highly recommended.)

    Which method should you use?

    While I use both methods interchangeably, PESOS is more my style.

    I tend to have little bursts of inspiration and I often share these on social media because it is quick and easy to do so.

    Some of these ideas make great blog posts, some end up in my trusty Obsidian vault as a note or a journal entry, some I don’t even bother to save. PESOS works for me because it enables me to create content spontaneously, quickly and flexibly.

    From a logical standpoint (and if you talk to most IndieWeb purists), POSSE is more efficient.

    You write a long, detailed post and then break it up into bite-sized pieces for distribution across platforms. It prevents “wasteful” content creation which might not end up on your blog or disappear into the digital ether.

    Both methods have their merits. And it really depends on your personality and preferences.

    Personally, POSSE just feels more tedious to me. It takes a lot more effort to organise my thoughts into a long proper post and then breaking it down into smaller content pieces. It prevents me from being quick and spontaneous; I’m a much, much slower and inefficient content creator with POSSE.

    So, PESOS it is for me!

    Next: I talk about how I actually implement POSSE/PESOS on my website.

  • That Man

    That Man

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  • A Dream of Splendor – review

    A Dream of Splendor – review

    Finally, a Chinese drama that is not just beautiful to look at, but is well acted, authentic, and celebrates womanly ideals and the female gaze.

    The story

    Zhao Pan’er, an intelligent and resourceful teahouse owner stumbles on a big conspiracy when she happens to be on the site of an ambush. Gu Qianfan, a leader of the elite Capital Security Office and nicknamed the “Living Devil”, forces her to help him escape.

    This fateful meeting changes her life forever.

    After that terrible night, Pan’er life takes an unexpected turn. Her fiancé Ouyang Xu, whom she had supported for many years, has abandoned her for a woman of higher social standing after gaining a prestigious position in the Capital.

    Pan’er decides to travel to the Capital to find out the truth. She ends meeting Qianfan again. On the run from people who want him dead, he ends up having to rely on her to survive. (Unexpectedly, so does she.)

    They are later joined by her two friends, Sun San Niang and Song Yin Zhang, who were both wronged by their husbands as well.

    When they reach the Capital, all four have to face numerous trials. Fortunately, they now have each other.

    The episodes (slight spoilers)

    Episodes 1-16

    My favourite arc of all. Our lovers meet, and what a messy meeting it was! Pan’er stumbles on Gu Qianfan as he is fleeing for his life. Instead of being the noble hero, he strikes Pan’er with a dart and tricks her into helping him escape. This one incident forces the two to rely on each other for weeks as they try to achieve their own goals. Qianfan wants to find out who is trying to get him killed. Pan’er wants to find her good-for-nothing Ouyang Xu who ditched her for a noblewoman once he became the Third Scholar.

    Episodes 17-26

    Our lovers have now confessed their love for each other and despite needing the keep their relationship secret, they are openly being lovey-dovey all over the Capital … not that I’m complaining, but I really doubt this was how people behaved in ancient China. But I forgive all things because Chen Xiao and Crystal Liu have such chemistry that, seriously, who cares about history and cultural norms when the guy can make your ovaries melt with a gaze?

    Episodes 27-34

    The “troubled” episodes. After such a strong and solid start, it’s as if the writer ran out of ideas to raise the stakes, so she throws the most eye-rolling plot contrivances imaginable including a period of noble idiocy from our until-now faultless Qianfan. Also, the jealous and half-insane Ouyang Xu returns to plague our couple with nefarious and frankly, stupid schemes. Various other political shenanigans get in the way of our couple’s happiness, and so on until the bitter end.

    A reviewer on Youtube commented that it was best to forget everything that happened after episode 27 and just end it there. Can’t help but agree with her!

    What I liked

    1. The leads’ natural, explosive chemistry. Far too often I cringe at kissing scenes or the skinship in Chinese or Korean dramas. But Qianfan and Pan’er not only has explosive chemistry but a very mature relationship where they (gasp) discuss things. I was particularly impressed by Pan’er’s refusal to flirt any further until Qianfan tells her what’s his true intentions were. When he finally declares it, he does it in such a charm and chivalrous way you can help but sigh with happiness.
    2. The exploration of Chinese tea culture. This is sad but I never knew that the Chinese had such a deep culture around tea. In this drama, we learned how tea was made and celebrated among the masses. I really appreciate that.
    3. It’s all about Girl Power but not it’s not in your face. I really enjoy watching the three women overcome their humiliation at the hands of men they loved and finding confidence in their abilities.
    4. The beauty of the costumes, the sets, heck, even the food. I love that the filmmakers stayed as a true as possible when it came to the period’s clothing and architecture. I felt as if I was looking at a painting.

    What I disliked

    1. That noble idiocy arc. Communicate, people! After doing so well in the first 27 episodes, our couple suddenly stops communicating with each other. I totally understand why Qianfan was afraid to face Pan’er, but to do what he did felt out of character. Fortunately, the two regains their marbles and starts talking like adults again, but after far too many episodes of not communicating. That arc should’ve been cut short.
    2. Ouyang Xu as a villain. He was, at first, a sympathetic villain. I almost understood why he did what he did. He was a weak man with little courage to go against social norms to really have a life with Pan’er. He never deserved her in the first place, but for him to suddenly go all mustache-twirling villain in the last ten episodes was not very believable nor convincing.
    3. The plot stumbling towards the end. It’s truly odd how the show stumbled towards the end. The stumble wasn’t catastrophic and it certainly didn’t render the show unwatchable, but it had been so perfectly crafted until episode 30 or so.

    Last verdict

    Is it worth watching? Most certainly. It also has a good ending, if you’re one to worry about that. (Chinese dramas have a very notorious reputation of turning tragic at a dime)

    Mastodon log (spoilery)

    I occasionally post my thoughts to social media. Here’s my log (please forgive the spelling mistakes!)

    19 March 2023

    Everything about A Dream Of Splendor is stunning. The sets, the costumes, the music, the actors…yes I am shameless enough to say that the eye candy is a big part of why I am enjoying the show.
    Too few Chinese Dramas have this standard. And I wonder why they don’t bother reaching this level.
    I also love Pan’er, the female lead in this one. Strong, witty, yet flawed … She’s not the typical squeaky-voiced female in a CDrama I hate so much 😆

    23 March 2023

    Sanniang eavesdropping on our couple;  Gu Xianfang’s “logical” explanations on why it is ok for him to take off Pan’er’s robe to “see if her injuries have healed” and his reminder that she already took off his clothes before, so what’s the fuss? And Sanniang’s scandalized expression to this – priceless!!

    Enjoying this CDrama so much!

    Spoilers ahoy – from 5:33

    25 March 2023

    Can these two get any swoonier?

    PS: Spoilerific video

    But seriously this amount of public skinship is not a thing in ancient China and would probably land these two in a lot of trouble.

    But do I care?
    NOOOOAAAAHHHH

    7 April 2023
    That besotted look in Xianfang’s eyes when he spies Pan’er dancing – first, at the tea house during a a tea ceremony, and then alone under the moonlight. Can’t blame him for being smitten, of course!

    13 April 2023

    What I love about A Dream Of Splendor is that I can enjoy it at a leisurely pace. I love the natural chemistry of the main couple and learning about China’s ancient tea culture. It’s a slice of life drama so some people complain about the pacing, but I find it perfect. I just watch an episode a day and feel satisfied. Maybe this is something I need at a time like this when life is so hectic.

    https://global.chinadaily.com.cn/a/202206/24/WS62b57126a310fd2b29e686a8.html